FILM WORK - CONCEPT — STEPHEN MOLYNEAUX ART

Here is a selection of art department working in house and as a freelance artist

Due to my background as a texture artist in a film asset department and my skills with both 3d and 2d my greatest strength is working to a high level of realism but keeping a illustrative quality to my work. I have a strong eye and a refined aesthetic and want to be part of a team that pushes the quality of work to the highest standards. My main goal for myself is to be a better designer and also to integrate traditional drawing techniques into the design process along with working with more of a short hand to develop ideas quick and efficient. I have a strong interest in character design ranging from cartoon and stylized to realism. I also have a specialised skill in developing characters that have fur and a strong gestural and characterful appeal.

Tools: Photoshop, Keyshot, Zbrush, Mari

film credits include

alien covenant- 2017
king Arthur Legend of the Sword. - 2017
the mummy 2017
fantastic beasts and where to find them 2016
the dark tower 2017
Pirates of the Caribbean : Dead Men Tell No Tales 2017
The Solutrean 2017
Jumanji 2017
Dumbo - 2018
Christopher Robin - 2018
Pikachu Detective - 2019
Shazam! - 2019
Wonder Woman 2 - 2019
Artemis Foul - 2019
Dora the Explorer - 2019
CATS - 2019

Christopher Robin - 2018

illustration to sell the look and feel of the character. This was an unused version of the design.

Copy of FANTASTIC BEASTS

The Occamy. This image was made to work out the final look of the character specifically the transition of feathers to scales and the color of the plumage!

Salizar

Paintover a plate given by MPC to look at the hair and the missing part of the skull

The Mummy

Paintover of the actress in makeup

The Mummy

Paintover of the actress in prosthetic makeup

The Mummy

Paintovers of makeup effects

The Mummy

Paintovers of the makeup effects

The Dark Tower

Crimson Creature design by Abner Marin. I was asked to provide a paintup to define the look and feel of the character for development in post production.

The Dark Tower

Crimson Creature design by Abner Marin. I was asked to provide a paintup to define the look and feel of the character for development in post production. This is an earlier version exploring a stronger red skin hue

King Arthur - Syrens

Models given to me by the MPC asset department. I was asked to do some paint overs to define the look and feel of the characters

King Arthur - Syrens

Models given to me by the MPC asset department. I was asked to do some paint overs to define the look and feel of the characters. I comped the 3d model into the plate provided.

The Mummy

transformation for a dream sequence

Lance

Character design from 2009. Zbrush model and render for the client Leading Light Studios. Initial sketch design by Leading Light Studios.